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Dedicated to the exploration and creation of new puppet forms using video, Video Anarchy will endeavor to break through traditional
boundaries and consider exciting new possibilities for the form and function of the puppet.

Students will learn basic filmed puppetry techniques, hands on, while being and integral part of the filming and editing of a puppet film
written and directed by Martin P. Robinson. Yes, really.

Enrollment limited to 5 to 6 participants with puppet experience.

About the film:

"The BOTTLE STOPPER PROJECT"

Carved wooden animated bottle stoppers from Northern Italy, circa 1930... Martin has hundreds of them. They are beautifully realized
characters, distinct little personalities all... and they do things: they talk, tip their hats, kiss, thumb their noses, stick out tongues, whap each other with brooms, drink, barf, etc.

The idea is to give them a context in which to exist. Having been designed for use in taverns as corks, they are, most of them, denizens
of bar life.

So; a small scale smokey traditional old bar, peopled with all the colorful characters you would expect to see there...until the small
bottle stopper reality begins to cross over into the real world. Did my drinking buddy just get grabbed out of existence? Did he die? Was
that a glimpse of God? Just how much wool actually IS over my eyes?


Tim Lagasse

Tim is a professional filmmaker, puppet master, and designer/ fabricator.

He works on television's many children's programs, including Sesame Street, Between the Lions, Oobi, and Chappell's Show (okay, the last one's not a kid show)

While earning his BFA in Puppet Arts from UConn, he wrote and directed A Show of Hands -which received the coveted Union International de la Marionette Citation for Excellence in the Art of Puppetry - and designed and built the “Bababooie Puppet” for the Howard Stern Show. (Talk about playing both sides of the fence). Upon graduating, he was the first student to receive the Jim Henson Memorial Prize in Puppetry.

Tim also creates puppets, consults, and directs puppet films for strange people like PBS, MTV, HBO and Nickelodeon in his cool secret underground “puppet cave” somewhere in Manhattan. Five short films called “A Show of Hands” (obviously based on earlier work) received a Broadcast Design Silver Award, and a series of short puppet films he created for Between the Lions earned him two Daytime Emmy nominations for Outstanding Achievement in Single Camera Editing and one for Costume Design/Styling (it's an honor to be nominated).

Recently he created and performed puppets for the 2004 Sundance Film Festival's official trailers and their continuing online campaign “Keep It Free”, designed and fabricated eight puppets for a brand new segment on the very popular Blue's Clue's, which premiered in February of 2004, and he's also a featured performer and director on the new PBS series It's a Big Big World!

In his spare time he performs with puppets for more mature late night puppet comedy shows and Puppet Slams all over New York and New England, and tours the world performing in television and live puppet shows.

He also lectures for the Lincoln Center Foundation, teaches modern television puppet techniques at the Puppet Arts Program at UConn and the O'Neill Theatre Center Puppetry Conference, finds time to practice sleight of hand, and eats occasionally. But enough about him, tell us about you…


Martin Robinson

MARTIN P. ROBINSON has been a professional puppeteer since discovering that it was the perfect link between acting and sculpture. A 1974 graduate of the American Academy of Dramatic Arts, he has worked for Nicolo Marionettes, Addis Williams, Bob Brown,
Paul Ashley, Bil Baird, Jim Henson, and for five seasons of "Spitting Image" in England. As a puppeteer on Sesame Street since 1981 he has won Emmys for his characters Snuffleupagus, Telly Monster, Slimey the Worm, and those "Yip-yip" Martians. During his
spare time he performed the Cat in the Hat on the Nickelodeon series; "the Wubbulous World of Dr. Seuss". His company, Hairy Edge Productions has designed/performed "Allegra's Window" and "Blue's Room" on Nickleodeon and "Oobi" on Noggin. Teaching has become an important aspect of his professional life as the senior puppet coordinator for
Sesame International, hiring and training puppeteers for productions in Canada, Mexico, Israel/Palestine, Egypt, Germany, Russia, Bangladesh, France, India, Indonesia and Ireland. Film credits include "Follow That Bird", "Muppets Take Manhattan", "Elmo in Grouchland", "Teenage Mutant Ninja Turtles" and "The Producers". In 1982, Martin designed, built and performed the plant in the original Off-Broadway production of "Little Shop of Horrors" for which he received a Drama Desk and an LA Drama Critics Award. He provided the same services for the incarnation of the show that was recently on Broadway. Martin also designed for the production of "Frogs" at Lincoln Center, and two productions with orchestra for Carnegie Hall. Presently, there is a live production of Nickelodeon's "Go Diego Go" touring the country with twenty large scale jungle animal puppets and a huge talking tree from Robinson's shop. At the O'neill Puppetry Conference Martin was twice a guest artist; developing "Jackstraws in a WindTunnel" and "PigeonHoled".

The Eugene O'Neill Theater Center

(860) 443-5378
oneillpupconf@aol.com
   

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